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The Devil in the Marshalsea
(2014)(The first book in the Tom Hawkins series)
A novel by Antonia Hodgson
Impeccably researched and astonishingly atmospheric, this historic thriller set Georgian London is a truly spellbinding tale (The Guardian).
London, 1727. A historical crime novel of scenic intrigue (Vogue) starring Thomas Hawkins, a rakish scoundrel with a heart of gold. Tom Hawkins refuses to follow in his fathers footsteps and become a country parson. His preference is for wine, women, and cards. But theres honor there too, and Tom wont pull family strings to get himself out of debtnot even when faced with Londons notorious debtors prison. The Marshalsea Gaol is a world of its own, with simple rules: Those with family or friends who can lend them a little money may survive in relative comfort. Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of its ruthless governor and his cronies. The trouble is that Tom has never been good at following rules, even simple ones. And the recent grisly murder of a debtor, Captain Roberts, has brought further terror to the gaol. While the captain��s beautiful widow cries for justice, the finger of suspicion points only one way: to the sly, enigmatic figure of Samuel Fleet. Some call Fleet a devil, a man to avoid at all costs. But Tom Hawkins is sharing his cell. Soon Toms choice is clear: get to the truth of the murderor be the next to die.
A riveting, fast-paced story . . . Magnificent. Jeffery Deaver, New York Times bestselling author of The Watchmakers Hand
[Hodson] conjures up scenes of Dickensian squalor and marries them to a crackerjack plot, in her impressive first novel. Publishers Weekly, starred Review
The irrepressibly roguish Tom makes a winning hero. Booklist
Genre: Historical Mystery
London, 1727. A historical crime novel of scenic intrigue (Vogue) starring Thomas Hawkins, a rakish scoundrel with a heart of gold. Tom Hawkins refuses to follow in his fathers footsteps and become a country parson. His preference is for wine, women, and cards. But theres honor there too, and Tom wont pull family strings to get himself out of debtnot even when faced with Londons notorious debtors prison. The Marshalsea Gaol is a world of its own, with simple rules: Those with family or friends who can lend them a little money may survive in relative comfort. Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of its ruthless governor and his cronies. The trouble is that Tom has never been good at following rules, even simple ones. And the recent grisly murder of a debtor, Captain Roberts, has brought further terror to the gaol. While the captain��s beautiful widow cries for justice, the finger of suspicion points only one way: to the sly, enigmatic figure of Samuel Fleet. Some call Fleet a devil, a man to avoid at all costs. But Tom Hawkins is sharing his cell. Soon Toms choice is clear: get to the truth of the murderor be the next to die.
A riveting, fast-paced story . . . Magnificent. Jeffery Deaver, New York Times bestselling author of The Watchmakers Hand
[Hodson] conjures up scenes of Dickensian squalor and marries them to a crackerjack plot, in her impressive first novel. Publishers Weekly, starred Review
The irrepressibly roguish Tom makes a winning hero. Booklist
Genre: Historical Mystery
Praise for this book
"Hodgson's utterly compelling debut is fiendishly plotted and dripping with atmosphere. I cannot wait for Tom Hawkin's next adventure." - Mark Billingham
"Historical fiction just doesn't get any better than this. Magnificent!" - Jeffery Deaver
"A wonderfully convincing picture of the seamier side of eighteenth-century life. Antonia Hodgson has a real feel for how people thought and spoke at the time and, God knows, that's a rare talent." - Andrew Taylor
"Historical fiction just doesn't get any better than this. Magnificent!" - Jeffery Deaver
"A wonderfully convincing picture of the seamier side of eighteenth-century life. Antonia Hodgson has a real feel for how people thought and spoke at the time and, God knows, that's a rare talent." - Andrew Taylor
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