Jane Urquhart's The Underpainter is a very modern novel preoccupied with the power of the past. Austin Fraser, born in 1894, is a modernist who relentlessly paints over his canvases, much as he tries to eradicate people from his life. Though he insists that he has forgone emotion and love, when he receives news of a women he once knew, he can no longer stop memories from encroaching.

Urquhart's novel ranges from late-century Rochester, New York, to Ontario to Paris to New York City. And not since Patrick White's The Vivisector have there been such disturbing scenes of the painter in action: "I believed that I was drawing--literally drawing--everything out of her, that his act of making art filled the space around me so completely there would be no other impressions possible beyond the ones I controlled." Amazingly, by exposing Fraser's emptiness, Urquhart makes us pity him. Though she has said that she was "quite angry with Austin" while writing The Underpainter, the author's language incises his reluctant humanity and turns his life into a work of art. The Underpainter is a novel of interwoven lives in which the world of art collides with the realm of human emotion. It is the story of Austin Fraser, an American painter now in his later years, who is haunted by memories of those whose lives most deeply touched his own, including a young Canadian soldier and china painter and the beautiful model who becomes Austin's mistress. Spanning decades, the setting moves from upstate New York to the northern shores of two Great Lakes; from France in World War One to New York City in the '20s and '30s. Brilliantly depicting landscape and the geography of the imagination, The Underpainter is Jane Urquhart's most accomplished novel to date.