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Born in Baltimore, Maryland, Redhill was raised in metropolitan Toronto, Ontario area. He pursued one year of study at Indiana University, and then returned to Canada, completing his education at York University and the University of Toronto. He was on the editorial board of Coach House Press from 1993 to 1996, and is currently the publisher and editor of the Canadian literary magazine Brick.
Genres: Mystery
New and upcoming books
Novels
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Impromptu feats of balance (poems) (1990)
Lake Nora Arms (poems) (1994)
Asphodel (poems) (1997)
Light-Crossing (poems) (2002)
Fidelity (2003)
The Griffin Poetry Prize Anthology 2009 (poems) (2009)
Twitch Force (poems) (2019)
Lake Nora Arms (poems) (1994)
Asphodel (poems) (1997)
Light-Crossing (poems) (2002)
Fidelity (2003)
The Griffin Poetry Prize Anthology 2009 (poems) (2009)
Twitch Force (poems) (2019)
Novellas and Short Stories
Anthologies edited
Plays show
Non fiction show
Michael Redhill recommends
The Opportunist (2022)
Elyse Friedman
"The Opportunist is a wry and unsettling novel featuring one of the most conniving families ever committed to paper. It's a dark Highsmithian treat about love and greed and murder, and it will make your screwed-up family look like the von Trapps. I devoured it in one sitting. Highly recommended."
The Hunter and the Old Woman (2021)
Pamela Korgemagi
"The Old Woman of Pamela Korgemagi’s hypnotically gripping novel is a North American cougar, and its persona is a creative achievement unknown in literature. Korgemagi completely inhabits her alien protagonist, convincing us not what a cougar is like, but what it is like to be a cougar. The story’s Hunter is human, and his development from child to adult is revealed in step with the animal’s, until their lives finally intersect. It is a novel of rare empathy and insight that gives a convincing portrayal of lives spent in the wild — and what it is like to be alive with and without the familiar human awareness of self and time."
Heart-Breaker (2018)
Claudia Dey
"Imagine a funnier but more sinister offspring of Peyton Place and Never Let Me Go, and you approximate the world of this stunning new novel. Claudia Dey’s beautiful, off-kilter music has been missing from our literary landscape for too long—a most welcome return."
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