Truman Capote and Harper Lee were children when they met. Twenty-five years later, Capote had taken New York's literary world by storm, while Lee struggled to put pen to paper and sweat out the story of her childhood in the same city.

They would reunite in the desolate plains of Kansas to create In Cold Blood. And they would start talk of an even greater mystery: What happened between them — and who really wrote To Kill a Mockingbird? How did two innocents from a backwoods Southern town achieve such fame, and why did they stop speaking to one another?

Kim Powers has conjured a death-bed confession from Capote, in which he picks up the phone to Harper Lee one last time to tell her is being haunted — a tale she doesn't believe, until she is forced to. What do the ghosts of the Clutters want, as they appear one by one to confess their secrets and their anger to the most unlikely mediums of Capote and Lee?

Capote in Kansas is an unforgettable "what might have been" — a fantasia of ghosts seeking resolve and revenge, and memories and regret for a past that was, that will never be again.