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Sparkling new translations highlight the humor and poignancy of Mann’s best stories—including his masterpiece, in its first English translation in nearly a century.
A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—“the starched collar,” as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann’s genius.
The headliner of this volume, “Chaotic World and Childhood Sorrow” (in its first new translation since 1936)—a subtle masterpiece that reveals the profound emotional significance of everyday life—is Mann’s tender but sharp-eyed portrait of the “Bigs” and “Littles” of the bourgeois Cornelius family as they adjust to straitened circumstances in hyperinflationary Weimar Germany. Here, too, is a free-standing excerpt from Mann’s first novel, Buddenbrooks—a sensation when it was first published. “Death in Venice” (also included in this volume) is Mann’s most famous story, but less well known is that he intended it to be a diptych with another, comic story—included here as “Confessions of a Con Artist, by Felix Krull.” “Louisey”—a tale of sexual humiliation that gives a first glimpse of Mann’s lifelong ambivalence about the power of art—rounds out this revelatory, transformative collection.
Genre: Literary Fiction
Sparkling new translations highlight the humor and poignancy of Mann’s best stories—including his masterpiece, in its first English translation in nearly a century.
A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—“the starched collar,” as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann’s genius.
The headliner of this volume, “Chaotic World and Childhood Sorrow” (in its first new translation since 1936)—a subtle masterpiece that reveals the profound emotional significance of everyday life—is Mann’s tender but sharp-eyed portrait of the “Bigs” and “Littles” of the bourgeois Cornelius family as they adjust to straitened circumstances in hyperinflationary Weimar Germany. Here, too, is a free-standing excerpt from Mann’s first novel, Buddenbrooks—a sensation when it was first published. “Death in Venice” (also included in this volume) is Mann’s most famous story, but less well known is that he intended it to be a diptych with another, comic story—included here as “Confessions of a Con Artist, by Felix Krull.” “Louisey”—a tale of sexual humiliation that gives a first glimpse of Mann’s lifelong ambivalence about the power of art—rounds out this revelatory, transformative collection.
Genre: Literary Fiction
Praise for this book
"Although Mann's stories are more than a century old, Damion Searls's new translations capture the writer's sly humor and warmth, making these short masterpieces feel wholly modern. Readers who know Mann will see him anew; for those who haven't read him yet, this collection is a superb introduction to one of the greats." - Rumaan Alam
"I have long loved Thomas Mann's subtlety, erudition, and elegant mind, but it wasn't until reading these newly translated stories that I picked up the range of the author's irony and humor. The art of translation seems to me the most delicate and precise of literary arts, and Damion Searls stands at the very apex of translators into English." - Lauren Groff
"I have long loved Thomas Mann's subtlety, erudition, and elegant mind, but it wasn't until reading these newly translated stories that I picked up the range of the author's irony and humor. The art of translation seems to me the most delicate and precise of literary arts, and Damion Searls stands at the very apex of translators into English." - Lauren Groff
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