Publisher's Weekly
The intersecting spheres of dreams and earthly passions that marked Murphy's recent novel The Falling Woman and her novelette ``Rachel in Love'' (both Nebula Award winners in 1988) continue in this story of a depopulated San Francisco. In the wake of a devastating worldwide plague, the handful of artists who have transformed the city with mirror mazes, self-propelled clockwork creatures and a coat of blue paint on the Golden Gate Bridge find that the city itself collaborates in unpredictable ways, from rains of flowers--or frogs--to the appearance of angels. When megalomaniac General Miles threatens the city, newcomer Jax works with painter Danny-boy, mechanical genius The Machine and others on a pacifist version of guerrilla warfare. Too often this novel recalls the studiously surreal antiwar stories of the '60s. A sweet fable, this is pleasing but evanescent, fading like the half-forgotten dreams it delicately evokes. (Mar.)

Library Journal
After a deadly plague sweeps the world, toppling governments in its wake, a few surviving artists who have claimed San Francisco as their home wage an unorthodox war against an invading army intent on bringing the blessings of law and order to a community that has discovered a better way of life. The author of The Falling Woman , a Nebula Award winner, evokes a haunting vision of life after society's collapse, as art becomes magic and combines with the power of love to defeat the engines of war. Highly recommended.-- JC