In the magnanimous tradition of Henry James's Hawthorn, Charles Olson's Call Me Ishmael and Susan Howe's My Emily Dickinson, our fall issue will present innovative homages by a diverse group of important contemporary American writers in honor of our great forebears and predecessors. In these iconoclastic (break the icons) and post-canonical (quash the canon) times, what better way to review the directions in which literature may now be headed, than to rethink where it has been?