An exhilarating, fiercely original story of brotherhood, war and art, and of daring to dream of something bigger than ourselves.
'Bold and totally unexpected, I loved this book' Douglas Stuart, author of Shuggie Bain
'A very special, very clever, very entertaining novel' Roddy Doyle, author of Paddy Clarke, Ha Ha Ha
***
It's 412 BC, and Athens' invasion of Sicily has failed catastrophically. Thousands of Athenian soldiers are held captive in the quarries of Syracuse, starving, dejected, and hanging on by the slimmest of threads.
Lampo and Gelon are local potters, young men with no work and barely two obols to rub together. When they take to visiting the nearby quarry, they discover prisoners who will, in desperation, recite lines from the plays of Euripides for scraps of bread and a scattering of olives.
And so an idea is born: the men will put on Medea in the quarry. A proper performance to be sung of down the ages. Because after all, you can hate the Athenians for invading your territory, but still love their poetry.
But as the audacity of their enterprise dawns on them, it becomes increasingly difficult to distinguish between enemies and friends. As the performance draws near, the men will find their courage tested in ways they could never have imagined ...
***
'Madly ambitious, cathartic like all great tragedy, but shockingly funny too, Ferdia Lennon's outstandingly original début is just glorious' Emma Donoghue, author of Room
Genre: Historical
'Bold and totally unexpected, I loved this book' Douglas Stuart, author of Shuggie Bain
'A very special, very clever, very entertaining novel' Roddy Doyle, author of Paddy Clarke, Ha Ha Ha
***
It's 412 BC, and Athens' invasion of Sicily has failed catastrophically. Thousands of Athenian soldiers are held captive in the quarries of Syracuse, starving, dejected, and hanging on by the slimmest of threads.
Lampo and Gelon are local potters, young men with no work and barely two obols to rub together. When they take to visiting the nearby quarry, they discover prisoners who will, in desperation, recite lines from the plays of Euripides for scraps of bread and a scattering of olives.
And so an idea is born: the men will put on Medea in the quarry. A proper performance to be sung of down the ages. Because after all, you can hate the Athenians for invading your territory, but still love their poetry.
But as the audacity of their enterprise dawns on them, it becomes increasingly difficult to distinguish between enemies and friends. As the performance draws near, the men will find their courage tested in ways they could never have imagined ...
***
'Madly ambitious, cathartic like all great tragedy, but shockingly funny too, Ferdia Lennon's outstandingly original début is just glorious' Emma Donoghue, author of Room
Genre: Historical
Praise for this book
"Contemporary yet classical, vulnerable yet self-assured, a beautiful story about the very power of storytelling." - Santanu Bhattacharya
"With all the blunt humanity of Roddy Doyle, Glorious Exploits is a vividly conjured vision of the past. Madly ambitious, cathartic like all great tragedy, but shockingly funny too, Ferdia Lennon's outstandingly original debut is just glorious." - Emma Donoghue
"In At Swims-Two-Birds, Flann O'Brien gave us cowboys riding through Dublin. Now, Ferdia Lennon gives us modern-day Dubliners living among the ancient Greeks. This is a very special, very clever, very entertaining novel." - Roddy Doyle
"What a voice! What a story! A darkly funny double act from Lampo and Gelon, sandwiched in between the transformative experience of theatre and forgiving your enemies. I loved it from the first line." - Claire Fuller
"A glorious thunderbastard, with a unique, stark voice that is expertly drawn. It is cheeky, contemplative and sly with an outrageous sense of humour and a massive heart. Lennon beats you with a club then whispers you poetry. It is harsh and fun in a way that few other books are ... A book like this is long overdue and very welcome. Thank the Gods." - Rory Gleeson
"What a truly magnificent novel this is: in turns riotous, brutal and deeply affecting. I am in no doubt that Ferdia Lennon is the real deal. His captivating storytelling resonates with all the beauty of Euripides' plays." - Imogen Hermes Gowar
"Glorious Exploits is an agonising exploration of the cost of violence, for both its winners and losers. It is also a reminder of how dangerous and radical the making of art can be, as the attempt to stage Medea with prisoners-of-war in 412 BC comes to represent war's opposite. This perfect first novel is a tragicomic masterpiece. Ferdia Lennon has created a story worthy of the Athenians: mortal, maddening, heart-mending." - Clare Pollard
"Sublime. Pitch-perfect dialogue, a fast-moving story that is both dark and lyrically beautiful, tragic and funny in equal measure. Glorious Exploits is an astonishingly original and gripping story of brotherhood, war and art. Ferdia Lennon is a fierce new talent." - Rebecca Stott
"Bold and totally unexpected, I loved this book. A brilliant novel about friendship, the healing power of art, and why we must fight for our dreams. I was hooked from the first page." - Douglas Stuart
"As thrilling for me as the first time I picked up a Kevin Barry novel. Glorious Exploits is exuberant, funny, lyrical and profoundly moving. It is, quite simply, a rare beauty." - Sarah Winman
"With all the blunt humanity of Roddy Doyle, Glorious Exploits is a vividly conjured vision of the past. Madly ambitious, cathartic like all great tragedy, but shockingly funny too, Ferdia Lennon's outstandingly original debut is just glorious." - Emma Donoghue
"In At Swims-Two-Birds, Flann O'Brien gave us cowboys riding through Dublin. Now, Ferdia Lennon gives us modern-day Dubliners living among the ancient Greeks. This is a very special, very clever, very entertaining novel." - Roddy Doyle
"What a voice! What a story! A darkly funny double act from Lampo and Gelon, sandwiched in between the transformative experience of theatre and forgiving your enemies. I loved it from the first line." - Claire Fuller
"A glorious thunderbastard, with a unique, stark voice that is expertly drawn. It is cheeky, contemplative and sly with an outrageous sense of humour and a massive heart. Lennon beats you with a club then whispers you poetry. It is harsh and fun in a way that few other books are ... A book like this is long overdue and very welcome. Thank the Gods." - Rory Gleeson
"What a truly magnificent novel this is: in turns riotous, brutal and deeply affecting. I am in no doubt that Ferdia Lennon is the real deal. His captivating storytelling resonates with all the beauty of Euripides' plays." - Imogen Hermes Gowar
"Glorious Exploits is an agonising exploration of the cost of violence, for both its winners and losers. It is also a reminder of how dangerous and radical the making of art can be, as the attempt to stage Medea with prisoners-of-war in 412 BC comes to represent war's opposite. This perfect first novel is a tragicomic masterpiece. Ferdia Lennon has created a story worthy of the Athenians: mortal, maddening, heart-mending." - Clare Pollard
"Sublime. Pitch-perfect dialogue, a fast-moving story that is both dark and lyrically beautiful, tragic and funny in equal measure. Glorious Exploits is an astonishingly original and gripping story of brotherhood, war and art. Ferdia Lennon is a fierce new talent." - Rebecca Stott
"Bold and totally unexpected, I loved this book. A brilliant novel about friendship, the healing power of art, and why we must fight for our dreams. I was hooked from the first page." - Douglas Stuart
"As thrilling for me as the first time I picked up a Kevin Barry novel. Glorious Exploits is exuberant, funny, lyrical and profoundly moving. It is, quite simply, a rare beauty." - Sarah Winman
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