Kienzle's grasp and detailing of church problems is impressive. Well conceived characters-such as Patty Donnelly, a young woman determined to be a priest; Andrea Zawalich, another woman confident she can become a priest in all but name; and Bill Cody, a zealot determined to make his only son a priest-add depth to the conflicts. And the structure of the book is unusual: in a prologue, Koesler is meditating by a coffin, and the rest of the novel consists of a long flashback leading to the body within. The plot thus plays itself out neither as whodunit or a whydunit, but as a tragedy and morality play that develops slowly and inevitably to a violent climax.