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Elizabeth Fremantle


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aka E C Fremantle

Elizabeth Fremantle holds a first in English and an MA in creative Writing from Birkbeck. As a Fashion Editor she has contributed to various publications including Vogue, Elle, Vanity Fair and The Erotic Review and has had her fiction published in The Mechanics Institute Review. She presently works as a reader for Literary Scouts, Anne Louise Fisher Associates, whilst working on a series of novels based around the Tudor court, the first of which is Queen's Gambit.
 

Genres: Historical, Historical Mystery
 
Series
Tudor Trilogy
   1. Queen's Gambit (2013)
   2. Sisters of Treason (2014)
   3. Watch the Lady (2015)
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Novels
   The Girl in the Glass Tower (2016)
   Disobedient (2023)
   Firebrand (2023)
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Series contributed to
HWA Short Story Collection
   3. Royal Blood (2020) (with others)
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Elizabeth Fremantle recommends
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The Square of Sevens (2023)
Laura Shepherd-Robinson
"The Square of Sevens is a cunningly plotted and wonderfully captivating novel that conjures up the Georgian period with a magical touch. Shepherd-Robinson guides us effortlessly through the social and political landscape of the time - the South Sea Bubble, the wonders of science, the complicated manners of Bath society - and populates this terrain, from drawing rooms to backstreets, with a plucky heroine and a cast of hugely engaging characters, each with their own secrets and flaws and all woven together with Dickensian deftness. I defy even the most curmugeonly not to be thoroughly entertained."
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Clytemnestra (2023)
Costanza Casati
"Rivals House of the Dragon in conspiracies and feminine brutality. Here is a complex and courageous woman, all flesh and blood, simmering with passion. Facing the grimmest of betrayals, Clytemnestra's ruthless desire for revenge powers a thrilling plot. This is an electrifying read that shocks and fascinates in equal measure."
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The Words I Never Wrote (2020)
Jane Thynne
"The Words I Never Wrote threads its way through layers of twentieth-century history, weaving a pattern of love, loss, hope, and tragedy against a backdrop of conflict. Two sisters separated both ideologically and geographically are brought together once more when a half-finished manuscript describing their lives surfaces more than half a century later, allowing their stories to be unpicked and re-sewn together in a deeply moving narrative. Highlighting the power of the written word to bear witness to the seismic shifts of history, this is complex material beautifully stitched. I couldn’t recommend it more highly."

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