From Publishers Weekly
Readers accustomed to having series hero Jake Grafton save the world every year (Liberty; Cuba; etc.) may be disappointed to learn he's retiredâ€"but they won't fret for long. Former Grafton sidekick Tommy Carmellini, ex-burglar and CIA operative, has been promoted to star in what's sure to be another excellent, long-lived series. Tommy is hanging out with partner Willie the Wire when ex-girlfriend Dorsey O'Shea turns up asking favors: will Tommy break into a house and retrieve some sex tapes in which she has unwittingly participated? No problemâ€"he hands the tapes over and dismisses Dorsey from his mind. Several months later, the CIA sends him to a West Virginia safe house where Russian defector Mikhail Goncharov is being debriefedâ€"and there, Tommy stumbles into a full-blown massacre. He kills a couple of attackers, rescues a woman, beats a retreat and quickly finds himself in spy hell: out in the cold, accused, alone, hunted by friend and foe alike. As the plot snowballs, it accumulates characters both good and bad: Goncharov has escaped the safe house but has amnesia; Dorsey returns; deadly assassins try to kill Tommy; and evil politicians scheme. (One of them, a woman, is determined to become president of the United States, no matter what: "Give me four years to line up support and be seen by the public and I could beat Jesus Christ in the next election.") Tommy is smart, brave, skilled and possessed of enough self-deprecating, wisecracking wit to endear him to readers. Jake Grafton makes an appearance to help save the day, but Tommy proves himself more than capable of saving the world on his own.
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From Booklist
Readers first met Tommy Carmellini, an ex-burglar and CIA agent, in the Jake Grafton novel Cuba (1999). He usually works overseas, breaking and entering for Uncle Sam, planting bugs, stealing documents, "that kind of thing." Now in Coonts' nineteenth novel (for those readers who are still counting), Carmellini replaces Grafton as the hero-protagonist who is^B out to save the world. It involves the usual gorgeous woman; this one is being blackmailed and wants Carmellini, her former lover, to get some incriminating videotapes that a later boyfriend had made when they were dating. The plot also involves a massacre at a CIA safe house, an illegal break-in, and secret KGB files. Like other of Coonts' heroes, Carmellini faces all sorts of dangers as he seeks to solve the case. As in the previous books, adroit dialogue abounds (for instance, "I was dripping wet with perspiration. If they didn't hear me coming, they would smell me"). Predictably, the hero outwits the bad guys, and, predictably, this latest Coonts tale will hit the best-seller lists. And, predictably, librarians should purchase multiple copies. George Cohen
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