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“A significant novel, beautifully crafted and deeply felt. Beha creates a high bonfire of our era's vanities. . . .This is a novel to savor.” —Colum McCann
Through baseball, finance, media, and religion, Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today.
What makes a life, Sam Waxworth sometimes wondered—self or circumstance?
On the day Sam Waxworth arrives in New York to write for the Interviewer, a street-corner preacher declares that the world is coming to an end. A data journalist and recent media celebrity—he correctly forecast every outcome of the 2008 election—Sam knows a few things about predicting the future. But when projection meets reality, life gets complicated.
His first assignment for the Interviewer is a profile of disgraced political columnist Frank Doyle, known to Sam for the sentimental works of baseball lore that first sparked his love of the game. When Sam meets Frank at Citi Field for the Mets’ home opener, he finds himself unexpectedly ushered into Doyle’s crumbling family empire. Kit, the matriarch, lost her investment bank to the financial crisis; Eddie, their son, hasn’t been the same since his second combat tour in Iraq; Eddie’s best friend from childhood, the fantastically successful hedge funder Justin Price, is starting to see cracks in his spotless public image. And then there’s Frank’s daughter, Margo, with whom Sam becomes involved—just as his wife, Lucy, arrives from Wisconsin. While their lives seem inextricable, none of them know how close they are to losing everything, including each other.
Sweeping in scope yet meticulous in its construction, The Index of Self-Destructive Acts is a remarkable family portrait and a masterful evocation of New York City and its institutions. Over the course of a single baseball season, Christopher Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today. Whether or not the world is ending, Beha’s characters are all headed to apocalypses of their own making.
Genre: Literary Fiction
Through baseball, finance, media, and religion, Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today.
What makes a life, Sam Waxworth sometimes wondered—self or circumstance?
On the day Sam Waxworth arrives in New York to write for the Interviewer, a street-corner preacher declares that the world is coming to an end. A data journalist and recent media celebrity—he correctly forecast every outcome of the 2008 election—Sam knows a few things about predicting the future. But when projection meets reality, life gets complicated.
His first assignment for the Interviewer is a profile of disgraced political columnist Frank Doyle, known to Sam for the sentimental works of baseball lore that first sparked his love of the game. When Sam meets Frank at Citi Field for the Mets’ home opener, he finds himself unexpectedly ushered into Doyle’s crumbling family empire. Kit, the matriarch, lost her investment bank to the financial crisis; Eddie, their son, hasn’t been the same since his second combat tour in Iraq; Eddie’s best friend from childhood, the fantastically successful hedge funder Justin Price, is starting to see cracks in his spotless public image. And then there’s Frank’s daughter, Margo, with whom Sam becomes involved—just as his wife, Lucy, arrives from Wisconsin. While their lives seem inextricable, none of them know how close they are to losing everything, including each other.
Sweeping in scope yet meticulous in its construction, The Index of Self-Destructive Acts is a remarkable family portrait and a masterful evocation of New York City and its institutions. Over the course of a single baseball season, Christopher Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today. Whether or not the world is ending, Beha’s characters are all headed to apocalypses of their own making.
Genre: Literary Fiction
Praise for this book
"Beha’s marvelous new novel is about, and more often than not exemplifies, pretty much everything good that New York City has lost in the past few bad years: wit, liberalism, journalism, and the dignity of self-destruction." - Joshua Cohen
"Beha is a sneaky-great plot-maker and thinker; by the time he wraps up this compassionate 21st-century tale of ambitious people looking for somewhere to place their faith?religion, statistics, love, money, country?you can see the clouds starting to gather into the moral Category 5 we’re currently enduring." - Jonathan Dee
"A significant novel, beautifully crafted and deeply felt. Beha creates a high bonfire of our era's vanities. . . .This is a novel to savor." - Colum McCann
"Ranging effortlessly from baseball statistics to insider trading, and from street-corner prophecy to Romantic Poetry, Beha finds the nuance and humanity in every subject he takes up. The Index of Self-Destructive Acts is that increasingly rare thing: a big, ambitious novel that boldly explores contemporary life in all of its complexities and contradictions." - Andrew Martin
"A book's worth of thoughtful essays folded into a kick-ass novel." - Nell Zink
"Beha is a sneaky-great plot-maker and thinker; by the time he wraps up this compassionate 21st-century tale of ambitious people looking for somewhere to place their faith?religion, statistics, love, money, country?you can see the clouds starting to gather into the moral Category 5 we’re currently enduring." - Jonathan Dee
"A significant novel, beautifully crafted and deeply felt. Beha creates a high bonfire of our era's vanities. . . .This is a novel to savor." - Colum McCann
"Ranging effortlessly from baseball statistics to insider trading, and from street-corner prophecy to Romantic Poetry, Beha finds the nuance and humanity in every subject he takes up. The Index of Self-Destructive Acts is that increasingly rare thing: a big, ambitious novel that boldly explores contemporary life in all of its complexities and contradictions." - Andrew Martin
"A book's worth of thoughtful essays folded into a kick-ass novel." - Nell Zink
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